Introductin to my book
All the following texts has been translated from persian to english.
The most dreamful and imaginary of arts is Painting.
You may present a space as great as the world in a small two dimensional area. The space union and its detail communications to its own elements can hardly be realized with people other than painters.
Space in painting can take a wider range of time to be completed. In this process there has been years between my first and last brush effects, so that my young brushes would join to my old and dusty brushes to complete the layers. I’ve never had an experience in any other art like, this complicated return which you may have in painting. Thus time in paintings will freeze and I’ve never enjoyed the sudden sense presentation in paintings. The flowing and motional water that is staying still in the Vermier painting is attracting me, the questioning feature of da Vinci’s Giocond and motional people of Kamal ‘Al Din Behzad and the peace of Reza Abasi’s people and the wind blow in the Koro’s leaves and…, had always made me amazed and cheerful .
The adaptation of seeing more and more and making one view out of those, and presenting an unique permanent sense, and thus making an ultimate out of a moment ; is learnt by painting , and I have always tried to seek more in architecture and sculpture.
First time in some works done in a Metamorphosis manner I did look for the permanence and alteration, and their union to each other.
The sudden and realizing movement of forms and interchanging to each other, would present a new view, from its shape and containment every time that we look to the repetition point.
Uniqueness was in staying and never leaving and statues and then architecture the gates to the three dimensional world that makes the movement possible and the process of seeing the movement path to feel and make the space; with a space full of dreams and forming lines and colors made me habitué to painting, a world full of entrance, changes and unfinished invention.
My ancients in Iran with their on methods, made the visual element relations in painting into such a mean and clemency that you may simply room the complex world into a smaller spaces and make all the wide relations to a unique union. However a several hundred years of interruption suddenly cut the pervious relation to the methods and the views.
Before I went to the Fine Art School in 1983, I was learning some from the masters that are still acting the same as the native ancient ones, and they are still very interesting in combining arts and collating its methods to view the imaging world, however the methods and the technologies for this facts had almost already gone.
But I believed that the art forever souvenirs in my race and maybe in all over the world did create by the unique viewpoints in different imaging art fields. The Tile Designers and Tiler Architects and Painter Engineers and Engineer Painters. Geometry in Iran Architecture and Persian Patterns, performed in a latticework and hierarchy definition for a unique purpose.
The beginning point of mine was drawing lines in flat spaces and seeking for finding some methods to image my dreams. On and on I realized that the relation of painting and three dimensional spaces can be organized closer and more united, and this needs an understanding of space in different dimensions.
You may present a space as great as the world in a small two dimensional area. The space union and its detail communications to its own elements can hardly be realized with people other than painters.
Space in painting can take a wider range of time to be completed. In this process there has been years between my first and last brush effects, so that my young brushes would join to my old and dusty brushes to complete the layers. I’ve never had an experience in any other art like, this complicated return which you may have in painting. Thus time in paintings will freeze and I’ve never enjoyed the sudden sense presentation in paintings. The flowing and motional water that is staying still in the Vermier painting is attracting me, the questioning feature of da Vinci’s Giocond and motional people of Kamal ‘Al Din Behzad and the peace of Reza Abasi’s people and the wind blow in the Koro’s leaves and…, had always made me amazed and cheerful .
The adaptation of seeing more and more and making one view out of those, and presenting an unique permanent sense, and thus making an ultimate out of a moment ; is learnt by painting , and I have always tried to seek more in architecture and sculpture.
First time in some works done in a Metamorphosis manner I did look for the permanence and alteration, and their union to each other.
The sudden and realizing movement of forms and interchanging to each other, would present a new view, from its shape and containment every time that we look to the repetition point.
Uniqueness was in staying and never leaving and statues and then architecture the gates to the three dimensional world that makes the movement possible and the process of seeing the movement path to feel and make the space; with a space full of dreams and forming lines and colors made me habitué to painting, a world full of entrance, changes and unfinished invention.
My ancients in Iran with their on methods, made the visual element relations in painting into such a mean and clemency that you may simply room the complex world into a smaller spaces and make all the wide relations to a unique union. However a several hundred years of interruption suddenly cut the pervious relation to the methods and the views.
Before I went to the Fine Art School in 1983, I was learning some from the masters that are still acting the same as the native ancient ones, and they are still very interesting in combining arts and collating its methods to view the imaging world, however the methods and the technologies for this facts had almost already gone.
But I believed that the art forever souvenirs in my race and maybe in all over the world did create by the unique viewpoints in different imaging art fields. The Tile Designers and Tiler Architects and Painter Engineers and Engineer Painters. Geometry in Iran Architecture and Persian Patterns, performed in a latticework and hierarchy definition for a unique purpose.
The beginning point of mine was drawing lines in flat spaces and seeking for finding some methods to image my dreams. On and on I realized that the relation of painting and three dimensional spaces can be organized closer and more united, and this needs an understanding of space in different dimensions.